Showing posts with label Win. Show all posts
Showing posts with label Win. Show all posts

Thursday, July 2, 2015

Freedom to Read Giveaway Hop

freedom to read giveaway hop

Welcome to my stop in the Freedom To Read Giveaway Hop hosted by Bookhounds & I Am A Reader, Not A Writer.


Hey guys,
Happy Soon-to-be Fourth Of July!! I hope you guys have an awesome day with your friends and families doing whatever it is you guys love to do!! Me and my family will be barbecuing with family and friends until sundown, then we'll be taking the kids for the big fireworks, finishing off the night with home fireworks, and then I'll be happily collapsing into my bed with a good book!! It can't get any better then that...lol!!


HAVE A WONDERFUL 4TH!!


GOOD LUCK...




PRIZE: ONE Winner can choose ANY ONE book of their choice.

CONTEST RUNS: July 2nd, 2015 to July 9th, 2015 11:59pm

OPEN TO: International as long as Books Depository ship to you. See complete shipping list HERE.

HOW TO ENTER: Please enter using the Rafflecopter Giveaway below.

TERMS AND CONDITIONS: ONE winner will be randomly chosen through the Rafflecopter. The winner will be contacted by email, then they will have 48 hours to respond before a new winner is picked. I reserve the right to disqualify anyone who does not follow the rafflecopter's instructions.



http://www.stuckinbooks.com/2015/04/may-i-suggestgiveaway-hop-sign-ups.html 
 
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Sunday, May 31, 2015

Vessel by Lisa T. Cresswell Blog Tour + Giveaway

Vessel-Banner





Vessel-Cover

 
Vessel

Published: May 2014
Publisher: Month9Books, LLC.

The sun exploded on On April 18, 2112 in a Class X solar storm the likes of which humankind had never seen.

They had exactly nineteen minutes to decide what to do next.

They had nineteen minutes until a geomagnetic wave washed over the Earth, frying every electrical device created by humans, blacking out entire continents, and every satellite in their sky.

Nineteen minutes to say goodbye to the world they knew, forever, and to prepare for a new Earth, a new Sun.

Generations after solar storms destroyed nearly all human technology on Earth, humans reverted to a middle ages-like existence, books are burned as heresy, and all knowledge of the remaining technology is kept hidden by a privileged few called the Reticents.

Alana, a disfigured slave girl, and Recks, a traveling minstrel and sometimes-thief, join forces to bring knowledge and books back to the human race. But when Alana is chosen against her will to be the Vessel, the living repository for all human knowledge, she must find the strength to be what the world needs even if it's the last thing she wants.
Lisa T. CresswellLisa, like most writers, began scribbling silly notes, stories, and poems at a very young age. Born in North Carolina, the South proved fertile ground to her imagination with its beautiful white sand beaches and red earth. In fifth grade, she wrote, directed and starred in a play "The Queen of the Nile" at school, despite the fact that she is decidedly un-Egyptian looking. Perhaps that's why she went on to become a real life archaeologist?

Unexpectedly transplanted to Idaho as a teenager, Lisa learned to love the desert and the wide open skies out West. This is where her interest in cultures, both ancient and living, really took root, and she became a Great Basin archaeologist. However, the itch to write never did leave for long. Her first books became the middle grade fantasy trilogy, The Storyteller Series. Her first traditionally published work, Hush Puppy, is now available from Featherweight Press.

Lisa still lives in Idaho with her family and a menagerie of furry critters that includes way too many llamas!
 
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Event Organized By:
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Tuesday, May 19, 2015

Captured By You by Amber Hart Release Day Blast + Giveaway

availablenow


CAPTURED BY YOU by Amber Hart is available now! You do not want to miss the epic conclusion to Raven and Jospin's story. You can check out an excerpt below! And if you missed the first part in their story, you can grab UNTIL YOU FIND ME here!





About Captured By You:
In the passionate, gut-wrenching sequel to Amber Hart’s Until You Find Me, Raven and Jospin must fight for each other in a world where love is never safe—and power is deadly. Raven, a college girl from Michigan, came to the jungles of Cameroon searching for closure. Falling for Jospin, a handsome, charismatic hunter with dark secrets of his own, was never part of the plan. But despite their differences, their attraction is addictive, as exhilarating and wild as the rain forest itself—and also as dangerous. For the sake of both their lives, their heated affair must remain a secret. Raven wants justice for her conservationist father’s death; to help her, Jospin must turn his back on his own father and the only life he has ever known. Together they risk being hunted by a band of ruthless poachers, but they take the chance anyway, working to bring down their enemies between each stolen kiss. But when one slip puts Raven’s life at stake, Jospin knows he must act. He has captured Raven’s heart—now can he set her free? Add it to Goodreads here

Colors swirl like a tornado, paint slashing white paper. I don’t have a method behind this picture. Just anger. Just dark-colored smears and disoriented thoughts. I don’t belong at the compound. I stop painting for a moment. Stare at my stained hands. Try not to think about how this paint came from Mr. Tondjii’s warehouse, the same warehouse that holds boxes of canned food and gorilla meat. The paper comes from Mr. Tondjii’s warehouse too. I can’t risk going to the habitat for my canvases. And, truthfully, there’s no guarantee that I’d ever have the strength to leave the habitat again if I were to see Jospin there, where I feel the safest—no guarantee that I’d come back to the compound to finish what I started. I rip up the picture and start another one. Clovis gives me space. Watching as I work on the forest floor, but not saying a word. Keeping me safe and letting me go. It amazes me that he can lock it all up inside. His expression is neutral, as if he’s admiring the sun-speckled jungle. But I wonder: Does he ever want to let it all out? The lies and pain? His life is just as much at risk as mine, but he handles it better. He’s been dealing with it for so much longer than I have. Deceiving the alpha for a small chance to change the jungle. Clovis claims he’s doing the right thing, even if he loses his life because of his so-called treachery. How many lives have I stolen? he questions. So many, Raven, he says. It’s all I have left to offer, he declares, to save what’s left of the gorilla species. It’s all I have left to offer is what resonates with me. Because that’s exactly how I feel. This is all I have left to offer Dad, to carry out the mission that he started. That he died for. My second painting is slower. I’m holding paint tubes with my injured hand, the one that still can’t make a complete fist. Though I exercise it, I know it will never be the same, yet I still hope. Maybe that’s pointless, but I don’t care. There are only three colors in my hand—purple, gray, and red—but I make do. This time, I paint the forest. Trees with leaves like cupped palms, trees with leaves like razor blades. My art forest is ghostly, murky. Smudges that could be anything. All they need to do is take a more definite shape. Form their destinies, these shadow things. If I tried hard enough, could I do the same? Shape my destiny? Claim it as my own? Maybe I decide. Maybe it’s up to me, not to fate. Maybe fate is a trickster who fools you into thinking you have no control. I don’t know. But I have to try. My life might not be safe, but at least I’ll know that I chose this: to stop a monster. Because Mr. Tondjii is just that. I paint more and think of Jospin. Tears ask my permission to gather, to fall down my face, but I don’t let them. I don’t know if anyone, besides Clovis, is watching. Surely they are. Surely they don’t trust me just yet. Smart of them. So I’ll give them this: a girl who likes to paint. That’s all they know from the outside. You’ll never see my insides. By the end, I’m holding a picture of myself standing in shadow, looking out at the forest. Tiny relics rest at my painted feet. An eternity symbol for Dad, a knife for Jospin, a splotch of purple in the loose shape of a heart for Mama, the word life in sprawling, curling script. All right there, seemingly within reach. Yet Painted Me can’t grab them, because she’s too focused on the forest, which is covered in blood. Streaks of what look like ashen people line the forest. The sky seems to be falling. A world collapsing slowly above their heads. I glance down at my real shadow. It’s sitting on the forest floor, its posture rigid. I think about the familiarity of my shadow. Find comfort in it. My shadow understands me. Copies my every move perfectly. Has been with me from the beginning. I can count on my shadow to always be there, one of the only things that will never leave me. My shadow reflects the darkest side of me. Even in the face of so much light. Especially then. “What does it mean?” Hearing Clovis’s voice startles me out of concentration. I peer at him. Dreads brushing his shoulders, his dark skin baking in spears of sunshine, arms leaning on his knees, sitting on a rock, and bending toward me to better look at my painting. His voice is soft and deep in case we’re not alone. “It means,” I say, whispering back, “that I will crumble their world, the poachers, every one of them.” Clovis’s lips twitch into the beginning of a smile. “Good.” He doesn’t doubt me. He shouldn’t. I will find their weaknesses, even Mr. Tondjii’s. And then, only then, can I have the things waiting for me. I reach out. Tear the painting to shreds. Because there will be no evidence here.


About Amber Hart
Amber Hart grew up in Orlando, Florida and Atlanta, Georgia. She now resides on the Florida coastline with family. When unable to find a book, she can be found writing, daydreaming, or with her toes in the sand. She's the author of the Before & After series (BEFORE YOU; AFTER US), and the Until You Find Me series (UNTIL YOU FIND ME; CAPTURED BY YOU). Rep'd by Beth Miller of Writers House.


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Soulshifter by Barbara Pietron Cover Reveal + Giveaway





Sixteen-year-old Jack Ironwood knew exactly what he wanted. Until he got it.

Jack was content to stay unnoticed by pretty and popular track-star, Natalie Segetich, until he overhears her claim that something took her friend Emma. As a soulshifter who can cross into the underworld, Jack knows the human-stealing Enuuki—hell's messengers—are real and that a successful rescue mission would secure a future otherwise out of his reach. Working together, Jack and Natalie devise a plan to outwit the ruler of the underworld. Then on the eve of the quest, as Jack stands on the verge of seeing his dreams come true, he realizes he's no longer sure what he wants. But it's too late to back out. Pursued by the dark lord's henchmen and ghastly mutant creatures, Jack and Natalie struggle to come out ahead in a battle and barter for souls. In the end, Jack will have to decide his own fate, because nothing short of a deal with the devil will get all three of them out of hell alive.




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About the Author


After years in the corporate world, Barbara found herself with a second chance to decide what she wanted to be when she grew up.  Her lifetime love of books and the written word returned one answer: writer.  Drawing from her experience with technical writing, she began by writing non-fiction magazine pieces and achieved both regional and national publication.  Her success encouraged her to complete a novel.  She learned much from her first manuscript, critiques, books, contests, and blogs.  In 2012, her novel Thunderstone, was a quarterfinalist in the Amazon Breakthrough Novel Award contest and won a critique by Publisher's Weekly.  A few months later, she was offered publication by Scribe Publishing Company.

 Barbara has a few other novels in the works, including a Thunderstone sequel. If she's not reading or writing, Barbara likes to walk, garden, and sew.  She works in a library and lives in Royal Oak, Michigan with her husband, daughter, and their cat – who often acts like a dog.

Find Barbara online:
Website | Facebook

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Giveaway



Monday, May 18, 2015

Hold Me Like a Breath by Tiffany Schmidt Blog Tour: Interview + Giveaway

Welcome to my stop in the HOLD ME LIKE A BREATH by Tiffany Schmidt Blog Tour hosted by The Fantastic Flying Book Club. Today on my stop we have an Interview with author Tiffany Schmidt, + an awesome Tour-Wide Giveaway!!





Hold Me Like a Breath




HOLD ME LIKE A BREATH
by Tiffany Schmidt
(Once Upon a Crime Family #1)
Published: May 19th, 2015
Genres: YA, Fantasy, Thriller


Penelope Landlow has grown up with the knowledge that almost anything can be bought or sold—including body parts. She’s the daughter of one of the three crime families that control the black market for organ transplants.

Penelope’s surrounded by all the suffocating privilege and protection her family can provide, but they can't protect her from the autoimmune disorder that causes her to bruise so easily.

And in her family's line of work no one can be safe forever.

All Penelope has ever wanted is freedom and independence. But when she’s caught in the crossfire as rival families scramble for prominence, she learns that her wishes come with casualties, that betrayal hurts worse than bruises, that love is a risk worth taking . . . and maybe she’s not as fragile as everyone thinks.





HOLD ME LIKE A BREATH
by Tiffany Schmidt

There was always a moment as I rolled down the long driveway toward the high fence surrounding the estate when my breath caught in my chest and I doubted my decision to leave. Anything could happen to me outside the perimeter of our property.
Carter interrupted my thoughts. “I told Mother we’re going to see a musical. You know what’s playing and can pick one, right?”
Of course I did. I spent hours on NYC websites, blogs, and forums. Someday I’d go into a long remission. Someday I’d live there and walk the streets of promise, freedom, and opportunity they sang about in Annie, a play I’d seen with Father on Broadway right before my life turned purple and red.
“Really?” It made sense that Mother would agree to a play. It would be safe, a seated activity. The chairs would mark out defined personal space, and I’d be perfectly cocooned between my brother and his best friend/guard, Garrett Ward. It made a whole lot less sense that Carter would voluntarily attend the theater.
He lowered his window and called a greeting to Ian, the guard on gate duty. Once his window was closed and the gate was shutting behind us, he snorted. “No, not really. That’s just what I said to buy you some extra time.”
“You should at least listen to the score then,” I countered. “You know she’s going to want to discuss it. Or, if she doesn’t, Father will. He’ll probably perform it if I ask.”
“Then don’t ask,” said Carter. “Fine. Pick a show and Garrett can download the soundtrack. We’ll listen to it once, then I get the radio for the rest of the drive—no complaints.”
It was more than I’d expected; he truly felt guilty about being so MIA. “There’s a revival of Once Upon a Mattress that’s getting great reviews.”
They snickered.
Once Upon a Mattress? That sounds like—”
I cut my brother off. “Don’t go there! It’s a fairy tale, gutterbrain.”
“Of course it is,” laughed Garrett.
I’m pretty sure the subtext of that laugh was you’re such a child. I swallowed a retort. Freedom was too rare a thing to waste arguing. And I’d never had Korean barbecue. I’d never even heard of it. There were so many things I’d never seen, tasted, experienced . . . Tension melted into giddy anticipation, bubbling in my stomach like giggles waiting to escape.
“So, how’d your super-secret errand go?” I asked. “Was it something exciting? Something illegal?”
Garrett met my gaze in the rearview mirror and shook his head.
But it was too late. Carter’s expression darkened. “Everything we do is illegal. It’s not a game where you get to pick and choose which crimes you’re okay with.”
“So it didn’t go well,” I muttered under my breath.
I knew it wasn’t a game, and I knew the Family Business was against the law. I’d known it for so long it was easy to forget. Or remember only in a vague way, like knowing the sky is blue without paying any attention to its blueness.
Only in those moments when things went wrong—when lazy clouds were replaced by threats and storms, when someone got hurt or killed—only then did I stare down the reality of the Business through a haze of grief and funeral black. My fingers tensed on the edge of the seat.
“Ignore him,” said Garrett. “He’s just pissy because the people we were supposed to meet with stood us up.”
“Someone dared to no-show for a meeting with the mighty Carter Landlow?” I teased, hoping to break the gloom settling in the car like an unwelcome passenger. “I assumed it was a Business errand, but if someone stood you up, it must be a girl.”
“No offense, Pen, but you don’t have a clue what’s going on in the Business.”
No offense, Carter, but you’re being a—”
“Who wants to hear some songs about mattresses?” interrupted Garrett. He reached for the stereo, but Carter swatted his hand away.
“I’m not an idiot,” I said. And wishing for things that had been denied for so long was idiotic. No less so than repeatedly bashing your head against a wall or touching a hot iron. I knew the answer was no, was always going to be no, so asking to be included in Family matters was like volunteering to be a punch line for one of the Ward brothers’ jokes.
But I knew the basics. It wouldn’t be possible to live on the estate, spend so much time in the clinic, and not know. The first person to explain it to me had been my grandfather; fitting, since he was the man who’d reacted to the formation of FOTA—the Federal Organ and Tissue Association—by founding our Family.
The same day I’d demanded a kidney for Kelly Forman, he’d sat me down and demonstrated using a plate of crackers and cheese. “When donation regulation was moved from the FDA to FOTA, they added more restrictions and testing.” He ate a few of the Ritz-brand “organs” on his plate, shuffled the empty cheese slices that represented humans who needed transplants. “This, combined with a population that’s living longer than ever
before”—he plunked down several more slices of cheese—“created a smaller, slower supply and greater demand.” He built me an inside-out cheese-cracker-cheese sandwich. “It was a moment of opportunity, and when you see those in life, you take them.”
This felt like a moment of opportunity. And not to prove that I wasn’t an idiot by listing all the facts I knew—about how the Families provided illegal transplants for the many, many people rejected from or buried at the bottom of the government lists. How more than two-thirds of those who made it through all the protocols to qualify for a spot on the official transplant list died before receiving an organ. Or to recite the unofficial Family motto: Landlows help people who can’t afford to wait, but can afford to pay.
“Fine, tell me what I don’t know,” I said. “Tell me what’s going on, why you and Father are fighting, and what’s keeping you so busy. Tell me everything.”
Garrett muttered something that sounded suspiciously like “Don’t do this,” but since my brother ignored him, I did too.
Carter’s eyes met mine in the rearview mirror. “None of this leaves the car, Pen. I’m trusting you.”
“I understand.” I sat a little straighter. “And I promise.”
A phone beeped with a text alert, almost immediately followed by a ringtone that made them jump. Carter picked up his cell, swore, showed the screen to Garrett, then swore again. All the buoyancy of freedom seemed to evaporate from the car.
“Now? They blow us off earlier and expect us to answer now?” said Garrett.
“Well, it’s not like these things can be scheduled,” replied Carter, jabbing the screen of his cell. “Hello?”
He muttered low and furious into the phone, then hung up, still cursing. “We have to do the pickup.”
Garrett’s frowned. “No one else can do it?”
He shook his head.
“Pick up what?” I asked.
Carter opened his mouth, but Garrett put a hand on his arm. “She’s seventeen. Let her be seventeen. There’s plenty of time to get her involved later.”
“When we were seventeen we were already sitting on council, visiting the clinics, meeting with patients. She can’t even tell a kidney scar from a skin graft—she needs to catch up.”
She can make her own decisions, she is sitting right here, and she is coming along to what ever this mysterious pickup is, so she’s already involved,” I snapped.
“You are not coming,” said Garrett.
“We don’t have a choice, unless you want me to leave her on the side of the highway. This is our exit.” Carter was clutching his cell phone, shaking it as if that could erase what ever the text instructed him to do.
Garrett groaned. “You’re staying in the car.”
I hid my smile by looking out the window. It had gotten dark while we were driving, the dusky purple of summer evenings. On the estate these nights buzzed with a soundtrack of cicadas and crickets, but there was no nature outside the car. Nothing but concrete and pavement and cinder-block industrial construction. We pulled into a parking lot. A poorly lit, empty parking lot.
“Where are we? What are we picking up?” I examined Garrett’s stiff posture and the bright gleam in my brother’s eyes. “Does Father know about this Business errand?”
“No, and you’re not going to tell him,” Carter answered.
“Oh, really? So what am I going to do?”
“Stay in the car. Lock the doors. Keep the windows up.” Carter turned around to look me in the eye. “This isn’t a joke, Pen. If I’d known this was going to come up, I would’ve left you at home.”
“Please, princess,” added Garrett in a soft voice, but his eyes didn’t leave the windshield, didn’t stop their scan of the parking lot.
“Fine, but when you’re done, you’re filling me in. Then I can decide if I want to be part of it or not.” It was all false bravado. Each one of Carter’s statements tied another knot in my stomach; Garrett’s plea pulled them tighter.
Carter dumped a half dozen mints from the plastic container in his cup holder into his mouth—like his breath mattered, like this was a date not a disaster. He waved the container at us, but we shook our heads. He crunched the candies and said, “Gare,
you’re hot, right?”
I blurted out, “You can turn on the A/C, I’m not cold,” before I caught on: Garrett pulled a gun from a holster below the back of his shirt.
They laughed, but it wasn’t funny to me. I’d been to too many funerals—they’d been to more. I wanted to ask how long he’d been “hot.” If he always had a gun on him. Had
So what had happened in the past year, and why was he carrying one now?
Garrett was Family, he was a Ward, but he wasn’t supposed to follow his brothers’ footsteps. Or his father’s. They were enforcers, but he didn’t belong in their grim-faced, split knuckles ranks. That was why he was in college with Carter—Garrett was going to be his right-hand man when my brother took over the Business.
Not a thug with a gun.
“Stay here, Pen,” Carter said again, then slipped out into the night. His keys still dangled from the ignition, the engine still hummed.
Garrett lingered an extra moment. “This shouldn’t take long. And everything’s okay. I don’t want you to worry.”
“I’m not.” I would’ve sounded believable if my voice wasn’t quivering. If I weren’t clutching fistfuls of my dress.
“You’re cute when you’re worried.” Garrett winked, and then he too was out in the darkness and humidity and I was alone.
I tried to lower my window—just a crack, enough to let in voices but not even mosquitoes—except Carter must’ve engaged some sort of child lock. I stared out the tinted glass, watched as their shadows grew gigantic on the wall as they approached the
ware house, then disappeared around its corner.
No matter how hard I concentrated, my eyes couldn’t adjust enough to make sense of the dark. Maybe it was the placement of the parking lot lights—how I had to peer through them to see the warehouse beyond.
After they’d left this afternoon, I’d rushed to the clinic to model different outfits for Caroline. She’d teased. We’d laughed. I’d blushed and daydreamed about the lovely combination of me, Garrett, and NYC.
But in my daydreams, Garrett hadn’t been wearing a gun.
And now we were parked somewhere made of shadows and secrets and fear that sat on my tongue like a bitter hard candy that wouldn’t dissolve.
The car still smelled like them. Their seats were still warm when I leaned forward and pressed my hands against the leather. But I couldn’t see them. What if the dark decided never to spit them back out again?
This wasn’t the Business as I knew it: secret transplant surgeries that took place at our six “Bed and Breakfasts” and “Spas” in Connecticut, Vermont, Maryland, Maine, Massachusetts, and South Carolina, where we saved people like Kelly Forman. She’d been ten when she needed a kidney transplant, but her chromosomal mutation—unrelated to her renal impairment—earned her a rejection from the Federal Organ and Tissue Agency’s lists. According to them, Down syndrome made her a “poor medical investment.” FOTA wrote her a death warrant. We saved her life.
She graduated from high school a few weeks ago. The past nine years since we’d met—she wouldn’t have had those without the Family Business.
That was enough. That was all I needed to know. Illegal or not, that was good.
I heard something. A crack so sharp it echoed and seemed to fill the spaces between my bones, making me shiver. I prayed it was a car backfiring.

Then it happened again.


 


ALICIA: Hi Tiffany, I'm excited to have you here today at Addicted Readers! :)

TIFFANY: Hi Alicia!

Thanks so much for having me on your blog! I really enjoyed these great questions – thanks for asking!

Xo
Tiffany



ALICIA: 1.) Can you tell us where the inspiration came for HOLD ME LIKE A BREATH, and do you think the finished copy turned out to be what you planned on, or did it change from what you initially mapped out for it?

TIFFANY: Hold Me Like a Breath was inspired by the bedtime battles I used to have with my parents when they read The Princess and the Pea. I was convinced they were skipping pages or leaving out parts. (To be fair to ME, my accusations were not without precedence. To be fair to THEM: I was not the easiest child to get to sleep and I used to pick the longest books on my shelves). I wanted to know why the princess was alone in the storm. Where was her family? Why was it important that she bruised?

Once I realized that the answers I wanted were truly not in the story, (sorry, Mom & Dad for calling you liars!) I had no use for the fairy tale. But I never stopped thinking about it. All these years later, HOLD ME LIKE A BREATH is my answer to my kiddo questions.

So, yes, to answer your second question, it’s wildly different than the story I would’ve imagined or planned as a six year old J It’s also different than the story I started writing a few years ago – but for me, the way a story evolves and surprises me during the writing process is one of my favorite parts of the journey.



ALICIA: 2.) What was the most challenging, and the most enjoyable aspect of writing HOLD ME LIKE A BREATH, and why?

TIFFANY: The most challenging aspect of writing Hold Me Like a Breath was researching and imparting information about Penny’s bleeding disorder. She has immune thrombocytopenia, a condition that causes her body to destroy its platelets and makes her susceptible to bruising and bleeding. This is a very complicated condition because it manifests differently in each person. Added to this, Penny’s family doesn’t just react to her diagnosis, they OVER-react. This is understandable when you consider the dangers inherit to the Family Business. It was a challenge to both present the facts, but also the way the Landlows have slanted them, and made Penny internalize the idea that she’s incredibly fragile—bordering on untouchable.

And, as always, for me—writing the kissing scenes and romance are always the most fun!



ALICIA: 3.) Why did you decide to write about crime families and black market organ transplants? I mean that's not something you see everyday in the YA genre, which makes it that much more appealing! ;)

TIFFANY: I don’t think I fully realized how unusual (um, weird!) this book was going to sound until I started describing it to other people. I’d start by saying it was a Princess and the Pea retelling and they’d nod. Then I’d add that when I decided to set it in modern America, I swapped royal families for crime families. And the people listening would start to hmmm or tilt their head. Sometimes they’d say, “Oh, that’s cool.” Then I’d go on to add “and the crime families traffic in human organs,” that when I get THE LOOK and the “oh...” Usually followed by a long pause and a “How the heck did you come up with that?”

And to be honest, I can’t say that I can point to an exact moment I made the decision to go with the transplant trade. I knew right away that I wanted the crime families to be morally ambiguous. I wanted them to do as much good as they did harm. I also loved the juxtaposition of having the Families be in the position to save the lives of so many other people—but not being able to ‘fix’ their ‘fragile’ daughter. One of the first lines I wrote for this book was—“Depending on which Lifetime movie you were watching, my Family was either presented as some sort of medical Robin Hood, or a group of evil body snatchers.”

(I just checked, the final version of this line appears on page 235 and reads:

But if TV was to be believed, then, depending on which Lifetime movie you were watching, the Families were all mafia thugs or medical Robin Hoods, and I was either a blond bombshell or a bedridden invalid.



ALICIA: 4.) Do you free write by writing whatever comes to mind, or do you map and plot everything out before you sit down to write?

TIFFANY:
As a kid I loved to do logic puzzles—the kind that were like: “If Rusty has a parakeet, then he doesn’t work at the mall. The person who owns a dog is not the person who is a dentist. The mechanic buys a lot of cat food.” This reminds me of my writing and revision process. I don’t write in order and I’m constantly shuffling scenes and plot threads until it all settles into place. I don’t map or plot everything out before I begin, but I generally have the shape of a story in my mind. And I write the ending fairly early in my first draft—so I have a strong sense of where the story is headed. It might not be the most efficient (or logical) way to write, but it works for me!



ALICIA: 5.) Can you tell us five random things about you?

TIFFANY: 1 – I have a huge blood phobia. Like, thinking about it makes me dizzy. Paper cuts can make me faint.

2—They knew me by name in the ER when I was little because I got hurt so frequently (which was extra fun, because à see #1)

3 – I’m allergic to mustard

4 – I’m also afraid of bridges, sleeping with the closet door open, and snakes. (are you sensing that I’m a big of a scaredy cat?)

5 – I love to write in cursive. I love to handwrite letters. Checking the mail is one of my fave parts of the day.



ALICIA: 6.) If you could describe HOLD ME LIKE A BREATH in 15 words or less, what would they be?

TIFFANY: Modern retelling of The Princess and the Pea, set in organ trafficking crime families.


ALICIA: 7.) Who was your most favorite character in HOLD ME LIKE A BREATH, and why?

TIFFANY: Carter Landlow is my favorite character in Hold Me Like a Breath. I always wished for an older brother, so I definitely imbued Penny’s big bro with a lot of the traits I wanted in my imaginary sibling. He’s loyal and funny and protective. Even when he’s busy, he does his best to make time for Penny. And his heart is HUGE. Carter loves big and he loves deeply. He might be impulsive and sometimes thoughtless, but the people in his life know he loves them dearly.


ALICIA: Tiffany, thank you so much for stopping by today, and I'm soooo excited to finally read HOLD ME LIKE A BREATH! :)




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Tiffany Schmidt is the author of Send Me a Sign, Bright Before Sunrise, and Hold Me Like a Breath. She’s found her happily ever after in Pennsylvania with her saintly husband, impish twin boys, and a pair of mischievous puggles.

SEND ME A SIGN is her first novel. BRIGHT BEFORE SUNRISE will follow in Winter, 2014. The ONCE UPON A CRIME FAMILY series begins with HOLD ME LIKE A BREATH in 2015. You can find out more about her and her books at: TiffanySchmidt.com, TiffanySchmidtWrites.Tumblr.com or by following her on Twitter @TiffanySchmidt.




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