Saturday, July 11, 2015

Ruthless by Carolyn Lee Adams Blog Tour: Character Profile + Giveaway

 Welcome to my stop in the RUTHLESS by Carolyn Lee Adams Blog Tour hosted by The Fantastic Flying Book Club. Today on my stop we have a Character Profile, Except + an awesome Tour-Wide Giveaway!!

by Carolyn Lee Adams
Publisher: Simon Pulse
Release Date: July 14th 2015
Genre: YA, Thriller, Contemporary, Mystery

A spine-tingling debut about the ultimate game of cat-and-mouse in reverse as a teen struggles to retain hope—and her sanity—while on the run from a cunning and determined killer.

Ruth Carver has always competed like her life depends on it. Ambitious. Tough. Maybe even mean. It’s no wonder people call her Ruthless.

When she wakes up with a concussion in the bed of a moving pickup trick, she realizes she has been entered into a contest she can’t afford to lose.

At a remote, rotting cabin deep in the Blue Ridge Mountains, Ruth’s blindfold comes off and she comes face-to-face with her captor. A man who believes his mission is to punish bad girls like Ruth. A man who has done this six times before.

The other girls were never heard from again, but Ruth won’t go down easy. She escapes into the wilderness, but her hunter is close at her heels. That’s when the real battle begins. That’s when Ruth must decides just how far she’ll go in order to survive.

Back home, they called her Ruthless. They had no idea just how right they were.

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RUTH CARVER of all, thank you so much for having me here on Addicted Readers! And thank you for the opportunity to talk a little about Ruth. As far as developing the character of Ruth, she came along easily enough. I dreamed the first three chapters of RUTHLESS, woke up, knew I had to turn that dream into a novel and Ruth was right there waiting for me, fully formed. I have another novel I’ve worked on for years called THE BOOK OF EZRA. Ezra has been a struggle. I like to say Ruth was my easy child.

However, just because Ruth was easy for me as a writer doesn’t mean she’s easy for readers. As I anticipated, some reviewers have had mixed feelings about Ruth. She’s not that likable, sometimes she makes mistakes, and did I mention she’s not that likable? I have my issues with her, too, but what can I say—this is how she was when I found her.

Even though I don’t always like Ruth, I understand why she is the way she is. Ruth is an only child. Her mother is a professional horse trainer and Ruth is her star student, a living advertisement for her mother’s services. She is under intense pressure to win, primarily because Ruth perceives the financial stability of the farm as the key to maintaining peace within her parents’ marriage. Because Ruth’s mother is passive, Ruth takes on the burden of creating a successful business. Having taken on that responsibility—not only of the success of the business but the success of her parents’ marriage—Ruth feels she must become Ruthless. It’s the only way she knows how to cope.

Alongside this weight that Ruth carries, she also bears the weight of the Carver name. To me, this ties into one of Ruth’s less sympathetic qualities—her pride. The Carvers have a strong, clannish identity that pivots upon the idea of their superiority to others. The Carvers think of themselves as tough, strong, and fierce, the kind of people who don’t back down, but on the plus side, stand up for what is right. The Carvers are like America in the 1950’s. But because they think so highly of their way of doing things, and because they perceive themselves as being of high status, Ruth misses out on the opportunity to be with her best friend Caleb. Caleb lives in a trailer, is very country, he sometimes speaks with poor grammar. Because of this, Ruth thinks of him as unacceptable as a boyfriend. She has put him in the friend zone—even though she loves him and he loves her. If Ruth felt secure in her family’s unconditional love of her it would be a lot easier for her to be with Caleb. Ultimately, as brave as she is, Ruth has a lot of fears. She is afraid of her family’s judgment, afraid of things falling apart, afraid to be her true self and let the chips fall where they may.

I think writers are always looking to cast their novels. For me, I was on the hunt for Ruth for a long time before I found her in an episode of Sons of Anarchy (my favorite show of all time). Her name is Hayley McFarland. Physically, she’s perfect for Ruth. She’s 5’2”, tiny, a redhead and she has those amber brown eyes. More importantly, she can do tough. Even more importantly still, she is inherently likable. You can feel Hayley McFarland’s vulnerability, and that would be a key trait needed for anybody cast as Ruth. If you cast an actor who skewed mean there’s no way anybody would root for Ruth. You need somebody like Hayley to balance out the character.
While we’re on the subject of casting, I have to throw this out there. I went to USC Film School and produced my own trailer with the help of my friends. Jeff Martell directed and edited it, John-Paul Newton shot it, and Tom Emmons played the Wolfman. When I’m not writing novels I’m a stand-up comic, as is my friend Tom. But like a lot of comics, Tom is also a brilliant actor and I think it would be glorious if he played the Wolfman on the big screen. Before I ever became friends with Tom, I’d stare at him at comedy shows, completely weirded out that my character had come to life like some kind of Stephen King novel. Check out the trailer a HERE:

Thanks again for having me—I hope you enjoy RUTHLESS!

SIDE NOTE (PHOTOS): Although it's pretty obvious, the attached pics are of Hayley McFarland, Tom Emmons, and Tom Emmons as Wolfman.

I CAN’T SEE. I DON’T know why I can't see.

I do know I was just dreaming. Running in a white dress through a field of wildflowers, no less. It was like a commercial for laundry detergent or tampons or a prescription medication that has death listed as a possible side effect. The dream is embarrassing, but it’s better than the here and now. I try to crawl back into the dream, but it won’t have me. Reality rushes in, faster and faster, chasing the dream away, replacing it with complete and utter darkness.

I need to open my eyes. I don’t know anything else, but I know that. I try to open them.

Nothing happens. Just blackness.

Don’t panic.


Thinking is hard and I know why. Concussion. My fourth one. First two came courtesy of falling off horses. The third was the result of a PE flag-football game gone awry. I forgot about the flags, tackled a guy three times my size. His heel cracked against my forehead, but he didn’t get the touchdown.


Did I fall off Tucker? Somehow that seems wrong, seems impossible. I look for the memory, knowing it has to be around here somewhere. Tucker has an abscess in his right front hoof. He’s on stall rest. Did I fall off another horse? That doesn’t seem right either.

But it seems the most likely. So what next? And why can’t I see?

Check if anything is broken.

I start with my toes. They wiggle. I can feel them. This is good. It seems they’re inside boots, so maybe I did fall off a horse. My legs are oddly stiff, like they’re too heavy to move. I try to bend a knee, but it isn’t happening. My right arm is a no go. There’s pain there. A lot of pain. It’s dulled by the concussion, but that arm is a sleeping bear I don’t want to prod. Luckily, I’m left-handed.

The left arm isn’t hurt, but it also doesn’t want to move. Not as bad as the legs, though, or the injured right arm. I think this left arm can get me somewhere.

Time to summon the will to move it.

Take a deep breath. . . .

Dirt falls into my mouth. Not dirt. Manure and shavings, something spiky. It’s hay. Hay and shavings and manure.

I feel it now, pressing up against my neck and jaw, against my body and legs. It’s dangerously close to my nose, and it’s why I can’t move. It’s pressing down on me, pinning me in place.

Adrenaline hits my bloodstream. I fight my left arm free, dig the muck away from my mouth, and take a swallow of clean air.

Slow your breathing. Slow it down. Do it.

Nothing but air. It’s all I think about for several minutes. I calm down, and the adrenaline ebbs away. I want to fall back to sleep. Sleep is soothing. Quiet. Peaceful. There’s a field of wildflowers on the other side of sleep.


I have to fight the concussion. I need to open my eyes. Maybe the dirt was pressed against my eyes. Maybe that’s why I couldn’t see. Hope gives me new energy. I try again, and get nowhere.

Maybe I don’t have eyes anymore.

True fear now. For the first time. My thinking is clear enough for real, raw, primal fear to sink in. Time to be courageous. Time to check. But I don’t want to know.

Be brave.

I take my left hand and reach for my eyes. There’s something weird there, but I don’t know what it is. It’s almost rough. But there’s definitely blood. Lots and lots of it. Sticky, heavy blood.

I jerk my hand away and strike metal. There’s something metal above my face.

The fear broadens into something deeper. I am in trouble. Dear God, I am in trouble. I don’t know what kind of trouble, but I know it’s bad. Do my parents know? Am I alone?

I try to listen. Dirt muffles my hearing. My ears are halfway encased in the filth, but it seems like there isn’t anything to hear. Except a hum. A deep, resonating hum that overwhelms everything.

Concussion. I know you well, old friend. Now kindly get the hell away from me. You may leave my hearing on your way out.

A wave of nausea crashes over me. I don’t know where I am, but my best guess is somewhere on the ranch. Possibly under the manure pile. Was I in a tractor accident? Tractor chores are not my favorite. I lack skills, to put it mildly. But I won’t let that damn tractor win, so I drag the arena, push the manure pile back, and do all the things the hired hands do.

Did I flip the tractor? ? ?



No. Don’t call for help.

Why not call for help?

No. Feels risky somehow.

All right, no. Listen to your gut, my mom always says. And I do. It usually steers me right.

Okay, now what? How do I figure out where I am? Time for my left hand to do some exploring. Weird how I’m thinking about my left hand like it is a separate person from me, a friend I can rely on.

I reach out to touch the metal I felt before. It is a solid sheet, not far above my head. I trace a diamond-plate pattern with my fingertips. The farm has two tractors; both are smooth steel all over, except for the dirty roughness of the bucket. My tractor-­accident theory is looking less likely.

A few inches later and the metal makes a right-angle turn away from me—and my hand hits the dirty shavings. Only my head is underneath this thing. Whatever it is, it protected me from being smothered to death.

Time to search my left side. Shavings. Manure. Hay. But then, close beside me, a pole of well-worn wood. I can feel the barely there ridges of grain in the oak. Pitchfork handle. This definitely feels like a pitchfork handle. I must be at the ranch. Where is there diamond-plate metal on the farm? I can’t remember.

My left hand keeps going. The tips of my fingers touch more metal. This is something different, though. It’s rough and flaky with rust. I slide my hand along the old steel. It has a soft curve. Like a bowl. But it’s weird. Like the bowl is sort of shaking. It makes no sense.

I reach out as far as I can, but lose contact with the metal. Searching higher, my fingers touch metal again. A little hook. Odd. Then a straightaway of more metal. Then another metal hook. Another straightaway. Another hook.

I run out of arm. I am small and don’t have much length of arm to work with. So I trace the hooks and the straightaways back to the thing that’s like a bowl.

This all feels familiar. Those metal hooks remind me of my dad tying down a tarp in the bed of his truck.

A truck.

I am in the bed of a truck!

Why am I in the bed of a truck?

I reach out again for the metal hooks. Something tickles my hand.


Stretching as far as I can go, I feel it in earnest now—the wind buffeting the skin of my hand. The wind, hard and fast.

This truck is moving.

How can that be? How can I be in a moving truck?

I reach out again, to check if I’m hallucinating. No. It’s there; that biting, slapping wind is there. This truck is going fast. Then I feel the hum through my body. The hum in my ears isn’t just concussion. It’s a combination of engine and vibration. It’s metal movement.

The diamond-plated thing above me must be a truck-bed toolbox. My head is in the empty space beneath it, protecting me from the shavings, keeping me alive.

I know where I am now.

I’m in the bed of a fast-moving truck, covered in blood, buried in filth. My right arm might be broken. I can’t see.

Realization dawns, and I pull my hand in like I touched fire.

Fear slides into my belly as I wait.

Was I seen? Did someone see my hand?

The truck shift gears. It’s slowing down. Quickly.

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Carolyn Lee Adams is originally from the Seattle area, breeding ground of serial killers and those who write about them. She attended USC Film School and graduated with a BFA in screenwriting. RUTHLESS (Simon Pulse, Summer 2015) is her first novel. When she isn't exploring the dark side of human nature in her writing, you'll find her on stage as a stand-up comedian. Because those things go together.

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